The theaters below show films in their original language; click on the links for showtimes and ticket information.
Interviews with the stars, general film articles, and reports on press conferences and film festivals.
Subscribe to the free KinoCritics monthly email newsletter here.

On Your Radar: The Music Never Stopped
by Karen Pecota

Dr. Oliver Sacks, M.D., a famed neurologist and psychiatry physician from Columbia University Medical Center, wrote an essay called “The Last Hippie” from a clinical case observation. The findings taken from Dr. Sacks study, is the backdrop which filmmaker, Jim Kohlberg, derived his latest narrative feature The Music Never Stopped. In collaboration with screenwriters, Gwyn Lurie and Gary Marks, Kohlberg takes Dr. Sacks documented observations and gives it a face. Kohlberg uses the discreetness of a slow moving narrative that realistically traces amazing capabilities of the brain suffering from trauma. A worthy story told with a stellar cast performance that is be notably unforgettable to Kohlberg’s silver screen audience.

The anti-war movement in the 1960s was a cultural explosion that shook America to its core. The results of lasting impact effected many people. The members of the Henry Sawyer family are among those recipients.

In 1968, the young Gabriel Sawyer (Lou Taylor Pucci) fled his family home over a horrific dispute with his father, Henry (J.K. Simmons). A heart wrenching occurrence that altered their family ties forever. Gabriel led a rock band during his senior year in high school. His parents, from ‘the greatest generation’ (a term coined by author Tom Brokaw), never really understood why the music of the 60s era was so attractive to their son but loved to see Gabriel happy. Henry and Helen (Cara Seymour) sincerely tried to tolerate Gabriel’s love for his generation’s music until they witnessed Gabriel burn the American flag at the only live concert they attended. Humiliated by their sons’ action, Henry and Helen left the concert in shame. Hours later, Henry’s confrontation with Gabriel about the incident escalated and harsh words were exchanged. The evening ended with regret and the last time Gabriel spoke with his parents.

Twenty years later (after many failed attempts to locate their son) Henry and Helen are notified by the police that their son was found. He is alive! But, a tumor lodged in his brain has left extensive damage and he needs an operation. The surgical procedure leaves Gabriel fighting against anterograde amnesia. He can’t remember anything after the day he fled his home in 1968, nor is he able to verbally communicate appropriately his twenty-year estranged absence.

Henry and Helen are now up in years and thankful Gabriel is home; but, perplexed as to how to redeem their lost relationship. Henry begins to explore the effects of brain injuries and progressive treatments. He latches onto with a study from Dr. Dianne Daly (Julia Ormond), a music therapist, who has made headway using music to help brain tumor victims assimilate into society. Henry, a die-hard music fan from a different era than Gabriel, sells his own premier LP collection to purchase every LP made from the Vietnam era. Henry intensely studies each artist, lyric and song that opens the door to an electrifying world of communication with Gabriel he never knew possible. Not to be missed, is their unusual journey giving enlightenment to the art of developing relationships from the depths of the human soul.